Combined with his medical background that created for a good desolate wit, classification, voyeuristic, he examined the interweaving of Eros and even Thanatos in the libidinal financial system of the time period, or as orchestrated around Reigen, the lovemaking trafficking in the social crime. With a time associated with neurotic un certain ties, among this designers in addition to intellectuals—mixed marriages, untold affairs, wife trades, and as using the charismatic Gustav Klimt (whom Schnitzler confessed he thought about) a serpentine individual lifestyle, with fourteen illegitimate children—the sequential curling of Reigen might seem a sardonic enlargement of the pretty charmilles and eddies in the brushstrokes of Separation. As a subversive picture, however, of the trade-off identity politics of Viennese society, where the lusty may go begging—though significantly utilized, much maligned—it encircles the liability that the libidinous was libelous, and scandalous up on phase.
And so it certainly was initially, which kept the play from being produced anywhere in Luxembourg. When it seemed to be sooner or later done in Bremen, there was quick claque and an obscenity test, and when finally executed in Vienna, after Planet War I, the reaction was even worse, just like a great emblematic ground nil for anything really different: presentations in the avenues, the movie theater assailed, smell bombs thrown, prominent figures implic